The MGM logo fades and is replaced by the 1990 United Artists logo. “An MGM Company” is the slogan under the logo.
A white circle moves left to right across the screen, blinking six times before becoming a gun barrel at the right of the screen. The gun barrel reverses direction, trained on the black-and-white image of James Bond, who is wearing a Trilby hat. Bond suddenly turns toward the gun barrel, and fires with a previously unseen gun. The gun barrel wavers back and forth as bright red blood oozes from the top of the screen. The Monty Norman James Bond theme plays.
The gun barrel fades, and returns to being a white circle, then dissolves into a scene inside a traditional Japanese tea room. The quiet scene is interrupted by a screaming man who’s been thrown through one of the tea room’s paper walls. He lands on the tea table, destroying it.
“Where is he?” asks an unseen man. The screaming man is kicked in the face by his attacker. “I shan’t ask you politely next time,” says the attacker, picking the man up and throwing him into another wall.
Sean Connery as Title Sequence James Bond
Unknown as Screaming Man
Sean Connery as Attacker
]]>
The MGM logo fades and is replaced by the 1990 United Artists logo. “An MGM Company” is the slogan under the logo.
A white circle moves left to right across the screen, blinking six times before becoming a gun barrel at the right of the screen. The gun barrel reverses direction, trained on the black-and-white image of James Bond, who is wearing a Trilby hat. Bond suddenly turns toward the gun barrel, and fires with a previously unseen gun. The gun barrel wavers back and forth as bright red blood oozes from the top of the screen. The Monty Norman James Bond theme plays.
The gun barrel fades, and returns to being a white circle, then dissolves into a scene inside a traditional Japanese tea room. The quiet scene is interrupted by a screaming man who’s been thrown through one of the tea room’s paper walls. He lands on the tea table, destroying it.
“Where is he?” asks an unseen man. The screaming man is kicked in the face by his attacker. “I shan’t ask you politely next time,” says the attacker, picking the man up and throwing him into another wall.
Sean Connery as Title Sequence James Bond
Unknown as Screaming Man
Sean Connery as Attacker
]]>
The MGM logo fades and is replaced by the 1990 United Artists logo. “An MGM Company” is the slogan under the logo.
A white circle moves left to right across the screen, blinking six times before becoming a gun barrel at the right of the screen. The gun barrel reverses direction, trained on the black-and-white image of James Bond, who is wearing a Trilby hat. Bond suddenly turns toward the gun barrel, and fires with a previously unseen gun. The gun barrel wavers back and forth as bright red blood oozes from the top of the screen. The Monty Norman James Bond theme plays.
The gun barrel fades, and returns to being a white circle, then dissolves into a scene inside a traditional Japanese tea room. The quiet scene is interrupted by a screaming man who’s been thrown through one of the tea room’s paper walls. He lands on the tea table, destroying it.
“Where is he?” asks an unseen man. The screaming man is kicked in the face by his attacker. “I shan’t ask you politely next time,” says the attacker, picking the man up and throwing him into another wall.
Sean Connery as Title Sequence James Bond
Unknown as Screaming Man
Sean Connery as Attacker
]]>
“Cai – cai – CAIRO!” replies the man, with his attacker’s hands around his neck.
The scene shifts to a casino in Cairo. A man wearing sunglasses and a fez says, “Cards!” to the dealer. The dealer throws two cards at him.
“Hit me, ” says the man in the fez. Someone grabs the man by the shoulder, spins him around in his chair, and punches him in the face. The man in the fez falls across a roulette table.
His attacker grabs him by the lapels. “One chance,” says the attacker. “Where can I find him?”
“Marie,” whispers the man in the fez.
The scene shifts again to the Hotel du Cap-Eden-Roc on the Côte d’Azur, where a woman is sunbathing in a bikini. Looking up from a newspaper, she spots a man approaching her. “Who are you?” she asks.
“My name is Bond,” says the man, “James Bond.”
The woman smiles, and rolls to one side, “Is there something I can do for you?” she asks.
Bond moves closer. “Yes, as a matter of face, there is,” he replies, putting his arms around her. “There’s something I’d like you to get off your chest.” Bond unclasps the woman’s bikini top and wraps it around her neck. As he tightens the bikini top, he asks, “Where is Ernst Stavro Blofeld?” She gasps for breath as Bond continues to tighten the strap around her neck. “Speak up, darling – I can’t hear you.”
The scene is replaced by the close-up photo of a man’s nose, followed by different images and clay models of a man’s face.
“We now come to Phase Four, the nose,” says a technician. The camera pans back to reveal more images of the same face, with the nose edges surrounded by calipers. “In my opinion-” begins the technician.
Unknown as Tokyo Man
Terrence Conoley as Cairo Man
Denise Perrier as Marie
Sean Connery as James Bond
Charles Gray as Blofeld
David de Keyser as Medical Technician.
]]>
“Cai – cai – CAIRO!” replies the man, with his attacker’s hands around his neck.
The scene shifts to a casino in Cairo. A man wearing sunglasses and a fez says, “Cards!” to the dealer. The dealer throws two cards at him.
“Hit me, ” says the man in the fez. Someone grabs the man by the shoulder, spins him around in his chair, and punches him in the face. The man in the fez falls across a roulette table.
His attacker grabs him by the lapels. “One chance,” says the attacker. “Where can I find him?”
“Marie,” whispers the man in the fez.
The scene shifts again to the Hotel du Cap-Eden-Roc on the Côte d’Azur, where a woman is sunbathing in a bikini. Looking up from a newspaper, she spots a man approaching her. “Who are you?” she asks.
“My name is Bond,” says the man, “James Bond.”
The woman smiles, and rolls to one side, “Is there something I can do for you?” she asks.
Bond moves closer. “Yes, as a matter of face, there is,” he replies, putting his arms around her. “There’s something I’d like you to get off your chest.” Bond unclasps the woman’s bikini top and wraps it around her neck. As he tightens the bikini top, he asks, “Where is Ernst Stavro Blofeld?” She gasps for breath as Bond continues to tighten the strap around her neck. “Speak up, darling – I can’t hear you.”
The scene is replaced by the close-up photo of a man’s nose, followed by different images and clay models of a man’s face.
“We now come to Phase Four, the nose,” says a technician. The camera pans back to reveal more images of the same face, with the nose edges surrounded by calipers. “In my opinion-” begins the technician.
Unknown as Tokyo Man
Terrence Conoley as Cairo Man
Denise Perrier as Marie
Sean Connery as James Bond
Charles Gray as Blofeld
David de Keyser as Medical Technician.
]]>
“Cai – cai – CAIRO!” replies the man, with his attacker’s hands around his neck.
The scene shifts to a casino in Cairo. A man wearing sunglasses and a fez says, “Cards!” to the dealer. The dealer throws two cards at him.
“Hit me, ” says the man in the fez. Someone grabs the man by the shoulder, spins him around in his chair, and punches him in the face. The man in the fez falls across a roulette table.
His attacker grabs him by the lapels. “One chance,” says the attacker. “Where can I find him?”
“Marie,” whispers the man in the fez.
The scene shifts again to the Hotel du Cap-Eden-Roc on the Côte d’Azur, where a woman is sunbathing in a bikini. Looking up from a newspaper, she spots a man approaching her. “Who are you?” she asks.
“My name is Bond,” says the man, “James Bond.”
The woman smiles, and rolls to one side, “Is there something I can do for you?” she asks.
Bond moves closer. “Yes, as a matter of face, there is,” he replies, putting his arms around her. “There’s something I’d like you to get off your chest.” Bond unclasps the woman’s bikini top and wraps it around her neck. As he tightens the bikini top, he asks, “Where is Ernst Stavro Blofeld?” She gasps for breath as Bond continues to tighten the strap around her neck. “Speak up, darling – I can’t hear you.”
The scene is replaced by the close-up photo of a man’s nose, followed by different images and clay models of a man’s face.
“We now come to Phase Four, the nose,” says a technician. The camera pans back to reveal more images of the same face, with the nose edges surrounded by calipers. “In my opinion-” begins the technician.
Unknown as Tokyo Man
Terrence Conoley as Cairo Man
Denise Perrier as Marie
Sean Connery as James Bond
Charles Gray as Blofeld
David de Keyser as Medical Technician.
]]>
“I want the operation done tonight,” orders Blofeld.
“But Signore –” begins the surgeon.
“There’s no time left,” says Blofeld.
“But Signore Blofeld,” explains the surgeon, “This is a most delicate procedure. It cannot –”
“Tonight!” repeats Blofeld, leaving his surgeons behind him.
Later on, surgical technicians are packing a body with clay in a subterranean mud bath. They leave the body in the tub of mud. As they exit the mud bath chamber, one of the surgeons tells an incoming team, “Keep the bath at precisely eighty degrees.” The camera pans past an unconscious technician sprawled behind some bushes.
Meanwhile, in the mud bath chamber, James Bond doffs his surgical disguise. He scans the room, not noticing that the body in the mud bath has spotted his arrival. The man in the mud bath lifts a muddy pistol out of the tub, aimed at James Bond. At the last moment, Bond executes a cartwheel, and grabs a pull chain, dumping more mud on top of the would-be assassin. The man in the mud tub sputters and moans as he’s drowned in the additional mud.
Sean Connery as James Bond
Charles Gray as Blofeld
David de Keyser as Doctor
“I want the operation done tonight,” orders Blofeld.
“But Signore –” begins the surgeon.
“There’s no time left,” says Blofeld.
“But Signore Blofeld,” explains the surgeon, “This is a most delicate procedure. It cannot –”
“Tonight!” repeats Blofeld, leaving his surgeons behind him.
Later on, surgical technicians are packing a body with clay in a subterranean mud bath. They leave the body in the tub of mud. As they exit the mud bath chamber, one of the surgeons tells an incoming team, “Keep the bath at precisely eighty degrees.” The camera pans past an unconscious technician sprawled behind some bushes.
Meanwhile, in the mud bath chamber, James Bond doffs his surgical disguise. He scans the room, not noticing that the body in the mud bath has spotted his arrival. The man in the mud bath lifts a muddy pistol out of the tub, aimed at James Bond. At the last moment, Bond executes a cartwheel, and grabs a pull chain, dumping more mud on top of the would-be assassin. The man in the mud tub sputters and moans as he’s drowned in the additional mud.
Sean Connery as James Bond
Charles Gray as Blofeld
David de Keyser as Doctor
“I want the operation done tonight,” orders Blofeld.
“But Signore –” begins the surgeon.
“There’s no time left,” says Blofeld.
“But Signore Blofeld,” explains the surgeon, “This is a most delicate procedure. It cannot –”
“Tonight!” repeats Blofeld, leaving his surgeons behind him.
Later on, surgical technicians are packing a body with clay in a subterranean mud bath. They leave the body in the tub of mud. As they exit the mud bath chamber, one of the surgeons tells an incoming team, “Keep the bath at precisely eighty degrees.” The camera pans past an unconscious technician sprawled behind some bushes.
Meanwhile, in the mud bath chamber, James Bond doffs his surgical disguise. He scans the room, not noticing that the body in the mud bath has spotted his arrival. The man in the mud bath lifts a muddy pistol out of the tub, aimed at James Bond. At the last moment, Bond executes a cartwheel, and grabs a pull chain, dumping more mud on top of the would-be assassin. The man in the mud tub sputters and moans as he’s drowned in the additional mud.
Sean Connery as James Bond
Charles Gray as Blofeld
David de Keyser as Doctor
Bond rolls up a sleeve and digs into the mud to confirm the identity. Using a water gun, Bond rinses off the face of the dead mud bather, only to discover he’s killed the wrong man. He lets the head sink back into the mud.
Bond rinses the mud off his own hand, only to be interrupted by a familiar voice.
“Making mud pies, Double Oh Seven?” asks Blofeld.
Blofeld enters the mud bath chamber, flanked by two SPECTRE guards. Blofeld points at the mud bath. “He would have been me, in a matter of days,” he explains. “if you had given the poor fellow a chance. Such a pity – – I was dying to see how the operation turned out.”
Blofeld turns to one of his guards. “Get his gun,” orders Blofeld. Bond reaches into his jacket to produce the weapon.
“Hold it!” orders the guard. “Put your hands up.” Bond politely raises his hands.
Sean Connery as James Bond
Charles Gray as Ernst Stavro Blofeld
Unknown as Mud Bather
Unknown as Guard 1
Unknown as Guard 2
]]>
Bond rolls up a sleeve and digs into the mud to confirm the identity. Using a water gun, Bond rinses off the face of the dead mud bather, only to discover he’s killed the wrong man. He lets the head sink back into the mud.
Bond rinses the mud off his own hand, only to be interrupted by a familiar voice.
“Making mud pies, Double Oh Seven?” asks Blofeld.
Blofeld enters the mud bath chamber, flanked by two SPECTRE guards. Blofeld points at the mud bath. “He would have been me, in a matter of days,” he explains. “if you had given the poor fellow a chance. Such a pity – – I was dying to see how the operation turned out.”
Blofeld turns to one of his guards. “Get his gun,” orders Blofeld. Bond reaches into his jacket to produce the weapon.
“Hold it!” orders the guard. “Put your hands up.” Bond politely raises his hands.
Sean Connery as James Bond
Charles Gray as Ernst Stavro Blofeld
Unknown as Mud Bather
Unknown as Guard 1
Unknown as Guard 2
]]>
Bond rolls up a sleeve and digs into the mud to confirm the identity. Using a water gun, Bond rinses off the face of the dead mud bather, only to discover he’s killed the wrong man. He lets the head sink back into the mud.
Bond rinses the mud off his own hand, only to be interrupted by a familiar voice.
“Making mud pies, Double Oh Seven?” asks Blofeld.
Blofeld enters the mud bath chamber, flanked by two SPECTRE guards. Blofeld points at the mud bath. “He would have been me, in a matter of days,” he explains. “if you had given the poor fellow a chance. Such a pity – – I was dying to see how the operation turned out.”
Blofeld turns to one of his guards. “Get his gun,” orders Blofeld. Bond reaches into his jacket to produce the weapon.
“Hold it!” orders the guard. “Put your hands up.” Bond politely raises his hands.
Sean Connery as James Bond
Charles Gray as Ernst Stavro Blofeld
Unknown as Mud Bather
Unknown as Guard 1
Unknown as Guard 2
]]>
Bond shoves the bleeding guard into the other guard, and both henchmen tumble down a short flight of stairs.
“Kill him!” shouts Blofeld. Bond grabs a handful of surgical scalpels from a nearby tray, and tosses them at the only remaining guard. The guard falls over with several scalpels stuck into him.
Blofeld lunges at Bond with a knife across a gurney, but Bond grabs Blofeld’s arm and slams him in the head with an overhead surgical lamp. Bond quickly straps Blofeld to the gurney, then turns the gurney around to plunge Blofeld head-first into the boiling mud pit.
As Blofeld sinks into the bubbling mud, Bond, turns a lever all the way up on the Mud Temperature control.
“Welcome to Hell, Blofeld,” says Bond. He hears a cat moan. It’s Blofeld’s white cat, wearing a diamond-studded collar. The camera moves in toward the cat’s left eye, which freezes before turning into a matte of the opening credits. The theme music begins to play…
Sean Connery as James Bond
Charles Gray as Ernst Stavro Blofeld
George Cooper as Guard 1
Terry Mountain as Guard 2
]]>
Bond shoves the bleeding guard into the other guard, and both henchmen tumble down a short flight of stairs.
“Kill him!” shouts Blofeld. Bond grabs a handful of surgical scalpels from a nearby tray, and tosses them at the only remaining guard. The guard falls over with several scalpels stuck into him.
Blofeld lunges at Bond with a knife across a gurney, but Bond grabs Blofeld’s arm and slams him in the head with an overhead surgical lamp. Bond quickly straps Blofeld to the gurney, then turns the gurney around to plunge Blofeld head-first into the boiling mud pit.
As Blofeld sinks into the bubbling mud, Bond, turns a lever all the way up on the Mud Temperature control.
“Welcome to Hell, Blofeld,” says Bond. He hears a cat moan. It’s Blofeld’s white cat, wearing a diamond-studded collar. The camera moves in toward the cat’s left eye, which freezes before turning into a matte of the opening credits. The theme music begins to play…
Sean Connery as James Bond
Charles Gray as Ernst Stavro Blofeld
George Cooper as Guard 1
Terry Mountain as Guard 2
]]>
Bond shoves the bleeding guard into the other guard, and both henchmen tumble down a short flight of stairs.
“Kill him!” shouts Blofeld. Bond grabs a handful of surgical scalpels from a nearby tray, and tosses them at the only remaining guard. The guard falls over with several scalpels stuck into him.
Blofeld lunges at Bond with a knife across a gurney, but Bond grabs Blofeld’s arm and slams him in the head with an overhead surgical lamp. Bond quickly straps Blofeld to the gurney, then turns the gurney around to plunge Blofeld head-first into the boiling mud pit.
As Blofeld sinks into the bubbling mud, Bond, turns a lever all the way up on the Mud Temperature control.
“Welcome to Hell, Blofeld,” says Bond. He hears a cat moan. It’s Blofeld’s white cat, wearing a diamond-studded collar. The camera moves in toward the cat’s left eye, which freezes before turning into a matte of the opening credits. The theme music begins to play…
Sean Connery as James Bond
Charles Gray as Ernst Stavro Blofeld
George Cooper as Guard 1
Terry Mountain as Guard 2
]]>
Theme music plays.
Zoom out of a diamond, as the silhouette of a woman’s hands eclipses the scene.
A woman’s hand plucks the diamond from its position.
Title: “HARRY SALTZMAN and ALBERT R. BROCCOLI present”
Scene fades to a new image: dimly lit woman in blue holds a pistol, while a woman in red wears what appears to be a diamond-encrusted bikini with a diamond pendant. Camera zooms in on the woman lit in red.
TITLE: “SEAN CONNERY”
The bikini turns out to be a diamond pendant.
TITLE: “in IAN FLEMING’S DIAMONDS ARE FOREVER”
Lyrics:
Diamonds are forever.
They are all I need to please me.
Scene fades to new scene: close-up of a woman’s eye. She wears a diamond pendant on her forehead.
TITLE: “starring JILL ST. JOHN CHARLES GRAY”
Lyrics:
They can stimulate and tease me
They won’t leave in the night
I won’t fear that they might desert me.
TITLE: “LANA WOOD, JIMMY DEAN, BRUCE CABOT”
TITLE: “with LOIS MAXWELL, NORMAN BURTON, JOSEPH FURST, BRUCE GLOVER, PUTTER SMITH, MARC LAWRENCE LAURENCE NAISMITH, DAVID BAUER, SID HAIG, DESMOND LLEWELYN”
TITLE: “and BERNARD LEE as ‘M’ ”
Close-up of diamond bracelet.
Camera zooms out for a scene of woman’s bent leg and white cat wearing a diamond collar.
Lyrics:
Diamonds are forever
Hold one up and then caress it
The cat walks under the woman’s leg. The background shows the matte silhouette of a kneeling woman, forming a mask over an image of diamonds.
TITLE: “Assistant Directors DEREK CRACKNELL & JEROME M. SIEGEL”
TITLE: “Continuity ELAINE SCHREYECK & DEL ROSS”
TITLE: “Camera Operators BOB KINDRED & BILL JOHNSON”
Lyrics:
Touch it, stroke it, and undress it
TITLE: “Art Directors JACK MAXSTED & BILL KENNEY”
TITLE: “Set Directors PETER LAMONT & JOHN AUSTIN”
TITLE: “Special Effects LESLIE HILLMAN & WHITEY McMAHON”
TITLE: “Production Buyer RONNIE QUELCH”
Lyrics:
I can see every part
Nothing hides in the heart
TITLE: “Miss St. John’s costumes by DON FELD”
TITLE: “Second Unit Cameraman HAROLD WELLMAN”
]]>Theme music plays.
Zoom out of a diamond, as the silhouette of a woman’s hands eclipses the scene.
A woman’s hand plucks the diamond from its position.
Title: “HARRY SALTZMAN and ALBERT R. BROCCOLI present”
Scene fades to a new image: dimly lit woman in blue holds a pistol, while a woman in red wears what appears to be a diamond-encrusted bikini with a diamond pendant. Camera zooms in on the woman lit in red.
TITLE: “SEAN CONNERY”
The bikini turns out to be a diamond pendant.
TITLE: “in IAN FLEMING’S DIAMONDS ARE FOREVER”
Lyrics:
Diamonds are forever.
They are all I need to please me.
Scene fades to new scene: close-up of a woman’s eye. She wears a diamond pendant on her forehead.
TITLE: “starring JILL ST. JOHN CHARLES GRAY”
Lyrics:
They can stimulate and tease me
They won’t leave in the night
I won’t fear that they might desert me.
TITLE: “LANA WOOD, JIMMY DEAN, BRUCE CABOT”
TITLE: “with LOIS MAXWELL, NORMAN BURTON, JOSEPH FURST, BRUCE GLOVER, PUTTER SMITH, MARC LAWRENCE LAURENCE NAISMITH, DAVID BAUER, SID HAIG, DESMOND LLEWELYN”
TITLE: “and BERNARD LEE as ‘M’ ”
Close-up of diamond bracelet.
Camera zooms out for a scene of woman’s bent leg and white cat wearing a diamond collar.
Lyrics:
Diamonds are forever
Hold one up and then caress it
The cat walks under the woman’s leg. The background shows the matte silhouette of a kneeling woman, forming a mask over an image of diamonds.
TITLE: “Assistant Directors DEREK CRACKNELL & JEROME M. SIEGEL”
TITLE: “Continuity ELAINE SCHREYECK & DEL ROSS”
TITLE: “Camera Operators BOB KINDRED & BILL JOHNSON”
Lyrics:
Touch it, stroke it, and undress it
TITLE: “Art Directors JACK MAXSTED & BILL KENNEY”
TITLE: “Set Directors PETER LAMONT & JOHN AUSTIN”
TITLE: “Special Effects LESLIE HILLMAN & WHITEY McMAHON”
TITLE: “Production Buyer RONNIE QUELCH”
Lyrics:
I can see every part
Nothing hides in the heart
TITLE: “Miss St. John’s costumes by DON FELD”
TITLE: “Second Unit Cameraman HAROLD WELLMAN”
]]>Theme music plays.
Zoom out of a diamond, as the silhouette of a woman’s hands eclipses the scene.
A woman’s hand plucks the diamond from its position.
Title: “HARRY SALTZMAN and ALBERT R. BROCCOLI present”
Scene fades to a new image: dimly lit woman in blue holds a pistol, while a woman in red wears what appears to be a diamond-encrusted bikini with a diamond pendant. Camera zooms in on the woman lit in red.
TITLE: “SEAN CONNERY”
The bikini turns out to be a diamond pendant.
TITLE: “in IAN FLEMING’S DIAMONDS ARE FOREVER”
Lyrics:
Diamonds are forever.
They are all I need to please me.
Scene fades to new scene: close-up of a woman’s eye. She wears a diamond pendant on her forehead.
TITLE: “starring JILL ST. JOHN CHARLES GRAY”
Lyrics:
They can stimulate and tease me
They won’t leave in the night
I won’t fear that they might desert me.
TITLE: “LANA WOOD, JIMMY DEAN, BRUCE CABOT”
TITLE: “with LOIS MAXWELL, NORMAN BURTON, JOSEPH FURST, BRUCE GLOVER, PUTTER SMITH, MARC LAWRENCE LAURENCE NAISMITH, DAVID BAUER, SID HAIG, DESMOND LLEWELYN”
TITLE: “and BERNARD LEE as ‘M’ ”
Close-up of diamond bracelet.
Camera zooms out for a scene of woman’s bent leg and white cat wearing a diamond collar.
Lyrics:
Diamonds are forever
Hold one up and then caress it
The cat walks under the woman’s leg. The background shows the matte silhouette of a kneeling woman, forming a mask over an image of diamonds.
TITLE: “Assistant Directors DEREK CRACKNELL & JEROME M. SIEGEL”
TITLE: “Continuity ELAINE SCHREYECK & DEL ROSS”
TITLE: “Camera Operators BOB KINDRED & BILL JOHNSON”
Lyrics:
Touch it, stroke it, and undress it
TITLE: “Art Directors JACK MAXSTED & BILL KENNEY”
TITLE: “Set Directors PETER LAMONT & JOHN AUSTIN”
TITLE: “Special Effects LESLIE HILLMAN & WHITEY McMAHON”
TITLE: “Production Buyer RONNIE QUELCH”
Lyrics:
I can see every part
Nothing hides in the heart
TITLE: “Miss St. John’s costumes by DON FELD”
TITLE: “Second Unit Cameraman HAROLD WELLMAN”
]]>TITLE: “Miss St. John’s costumes by DON FELD”
TITLE: “Second Unit Cameraman HAROLD WELLMAN”
Lyrics:
… to hurt me
I don’t need love
Background: a white cat walks between women’s bejeweled feet, while the outline of a diamond brilliant cut moves across the screen.
TITLE: “Visual Effects ALBERT WHITLOCK & WALLY VEEVERS”
TITLE: “Stunt Arrangers BOB SIMMONS & PAUL BAXLEY”
TITLE: “Location Managers BERNARD HANSON & EDDIE SAETA”
Lyrics:
for what good would love do me?
Diamonds never lie to me
Background: Woman in profile, lit with blue light, wearing a diamond necklace and earrings
TITLE: “Dubbing Editors TEDDY MASON, JIMMY SHIELDS & CHRISTOPHER LANCASTER”
TITLE: “Dubbing Mixer GORDON McCALLUM”
TITLE: “Sound Recordists JOHN MITCHELL & AL OVERTON”
TITLE: “Wardrobe Supervisors ELSA FENNELL & TED TETRICK”
MPAA LOGO: No. 23067
TITLE: ” ‘DIAMONDS ARE FOREVER’ Copyright © 1971 DANJAQ S.A. All rights reserved”
TITLE: “All characters and events in this film are fictitious, any similarity to actual events or persons, living or dead, is purely coincidental.”
Lyrics:
For when love’s gone
Background: Green, backlit diamond, out of focus.
TITLE: “Filmed in PANAVISION ®”
TITLE “Colour by TECHNICOLOR ®”
Background: Woman sitting cross-legged, her hands surround the green diamond.
TITLE: “Main title designed by MAURICE BINDER”
TITLE: “Production Managers CLAUDE HUDSON and MILTON FELDMAN”
Lyrics:
They luster on…
An outline of a cut diamond splits into two copies, each leaving the screen left and right.
A woman with diamond rings on every finger covers half her face with her hand.
TITLE: “Editors BERT BATES and JOHN W. HOLMES A.C.E.”
Lyrics:
Diamonds are forever
Sparkling, round my little finger
TITLE: “Production designed by KEN ADAM”
Lyrics:
Unlike men, the diamonds linger.
Men are mere mortals who
Aren’t worth going to your grave for.
Background: Mask matte of a woman dancer, with the matte filled with diamonds, while the outline of a woman’s hand holding a diamond fills the frame.
TITLE: “Director of Photography TED MOORE B.S.C.”
Background: Woman’s head in silhouette, a diamond forming an earring, while a geometric pattern appears in green and black on the left of the screen.
TITLE: “Music composed, conducted and arranged by JOHN BARRY”
TITLE: “Lyrics by DON BLACK”
Lyrics:
I don’t need love
TITLE: “Miss St. John’s costumes by DON FELD”
TITLE: “Second Unit Cameraman HAROLD WELLMAN”
Lyrics:
… to hurt me
I don’t need love
Background: a white cat walks between women’s bejeweled feet, while the outline of a diamond brilliant cut moves across the screen.
TITLE: “Visual Effects ALBERT WHITLOCK & WALLY VEEVERS”
TITLE: “Stunt Arrangers BOB SIMMONS & PAUL BAXLEY”
TITLE: “Location Managers BERNARD HANSON & EDDIE SAETA”
Lyrics:
for what good would love do me?
Diamonds never lie to me
Background: Woman in profile, lit with blue light, wearing a diamond necklace and earrings
TITLE: “Dubbing Editors TEDDY MASON, JIMMY SHIELDS & CHRISTOPHER LANCASTER”
TITLE: “Dubbing Mixer GORDON McCALLUM”
TITLE: “Sound Recordists JOHN MITCHELL & AL OVERTON”
TITLE: “Wardrobe Supervisors ELSA FENNELL & TED TETRICK”
MPAA LOGO: No. 23067
TITLE: ” ‘DIAMONDS ARE FOREVER’ Copyright © 1971 DANJAQ S.A. All rights reserved”
TITLE: “All characters and events in this film are fictitious, any similarity to actual events or persons, living or dead, is purely coincidental.”
Lyrics:
For when love’s gone
Background: Green, backlit diamond, out of focus.
TITLE: “Filmed in PANAVISION ®”
TITLE “Colour by TECHNICOLOR ®”
Background: Woman sitting cross-legged, her hands surround the green diamond.
TITLE: “Main title designed by MAURICE BINDER”
TITLE: “Production Managers CLAUDE HUDSON and MILTON FELDMAN”
Lyrics:
They luster on…
An outline of a cut diamond splits into two copies, each leaving the screen left and right.
A woman with diamond rings on every finger covers half her face with her hand.
TITLE: “Editors BERT BATES and JOHN W. HOLMES A.C.E.”
Lyrics:
Diamonds are forever
Sparkling, round my little finger
TITLE: “Production designed by KEN ADAM”
Lyrics:
Unlike men, the diamonds linger.
Men are mere mortals who
Aren’t worth going to your grave for.
Background: Mask matte of a woman dancer, with the matte filled with diamonds, while the outline of a woman’s hand holding a diamond fills the frame.
TITLE: “Director of Photography TED MOORE B.S.C.”
Background: Woman’s head in silhouette, a diamond forming an earring, while a geometric pattern appears in green and black on the left of the screen.
TITLE: “Music composed, conducted and arranged by JOHN BARRY”
TITLE: “Lyrics by DON BLACK”
Lyrics:
I don’t need love
TITLE: “Miss St. John’s costumes by DON FELD”
TITLE: “Second Unit Cameraman HAROLD WELLMAN”
Lyrics:
… to hurt me
I don’t need love
Background: a white cat walks between women’s bejeweled feet, while the outline of a diamond brilliant cut moves across the screen.
TITLE: “Visual Effects ALBERT WHITLOCK & WALLY VEEVERS”
TITLE: “Stunt Arrangers BOB SIMMONS & PAUL BAXLEY”
TITLE: “Location Managers BERNARD HANSON & EDDIE SAETA”
Lyrics:
for what good would love do me?
Diamonds never lie to me
Background: Woman in profile, lit with blue light, wearing a diamond necklace and earrings
TITLE: “Dubbing Editors TEDDY MASON, JIMMY SHIELDS & CHRISTOPHER LANCASTER”
TITLE: “Dubbing Mixer GORDON McCALLUM”
TITLE: “Sound Recordists JOHN MITCHELL & AL OVERTON”
TITLE: “Wardrobe Supervisors ELSA FENNELL & TED TETRICK”
MPAA LOGO: No. 23067
TITLE: ” ‘DIAMONDS ARE FOREVER’ Copyright © 1971 DANJAQ S.A. All rights reserved”
TITLE: “All characters and events in this film are fictitious, any similarity to actual events or persons, living or dead, is purely coincidental.”
Lyrics:
For when love’s gone
Background: Green, backlit diamond, out of focus.
TITLE: “Filmed in PANAVISION ®”
TITLE “Colour by TECHNICOLOR ®”
Background: Woman sitting cross-legged, her hands surround the green diamond.
TITLE: “Main title designed by MAURICE BINDER”
TITLE: “Production Managers CLAUDE HUDSON and MILTON FELDMAN”
Lyrics:
They luster on…
An outline of a cut diamond splits into two copies, each leaving the screen left and right.
A woman with diamond rings on every finger covers half her face with her hand.
TITLE: “Editors BERT BATES and JOHN W. HOLMES A.C.E.”
Lyrics:
Diamonds are forever
Sparkling, round my little finger
TITLE: “Production designed by KEN ADAM”
Lyrics:
Unlike men, the diamonds linger.
Men are mere mortals who
Aren’t worth going to your grave for.
Background: Mask matte of a woman dancer, with the matte filled with diamonds, while the outline of a woman’s hand holding a diamond fills the frame.
TITLE: “Director of Photography TED MOORE B.S.C.”
Background: Woman’s head in silhouette, a diamond forming an earring, while a geometric pattern appears in green and black on the left of the screen.
TITLE: “Music composed, conducted and arranged by JOHN BARRY”
TITLE: “Lyrics by DON BLACK”
Lyrics:
I don’t need love
TITLE: “Music composed, conducted, and arranged by JOHN BARRY”
TITLE: “Lyrics by DON BLACK”
Lyrics: “But what good will love do me? Diamonds never lie to me”
TITLE: “Title song sung by SHIRLEY BASSEY”
Lyrics: “For when love’s gone, they luster on”
TITLE: “Associate Producer STANLEY SOPEL”
Two silhouetted women crouch in front of a large blue diamond in the background.
TITLE: “Screenplay by RICHARD MAIBAUM and TOM MANKIEWICZ”
Lyrics: “Diamonds are forever, forever, forever”
TITLE: “Associate Producer STANLEY SOPEL”
The blue diamond is replaced by a montage of a nude woman in shadow, lit in violet, with a diamond inset in her navel.
Lyrics: “Diamonds are forever, forever, forever, forever… and ever.”
TITLE: “Produced by HARRY SALTZMAN and ALBERT R. BROCCOLI”
The camera moves away from the nude woman, replaced by a blue blur.
TITLE: “Directed by GUY HAMILTON”
The blue blur resolves into a blue diamond, part of a collection of stones representing famous large-carat diamonds.
At the top of the display is the Akbar Shah, 116 carats rough.
From left to right in the middle row are “Quartz Ange, Oteck Emphl” , “Terrat Teu”, “Star of South Africa, 83.5 Carats Rough, 47.5 Carats Cut”, “Dulation” and “Mitter Tal Zener”
“Star of South Afrrica,” says M. “Eighty-three point five carats rough, Forty seven point five carats cut.” Bond and M are standing in a hallway decorated with Second Empire furnishings.
“The Akbar Shah,” continues M, “That’s a hundred sixteen carats rough.”
IN THIS MINUTE:
Sean Connery as James Bond
Bernard Lee as M
TITLE: “Music composed, conducted, and arranged by JOHN BARRY”
TITLE: “Lyrics by DON BLACK”
Lyrics: “But what good will love do me? Diamonds never lie to me”
TITLE: “Title song sung by SHIRLEY BASSEY”
Lyrics: “For when love’s gone, they luster on”
TITLE: “Associate Producer STANLEY SOPEL”
Two silhouetted women crouch in front of a large blue diamond in the background.
TITLE: “Screenplay by RICHARD MAIBAUM and TOM MANKIEWICZ”
Lyrics: “Diamonds are forever, forever, forever”
TITLE: “Associate Producer STANLEY SOPEL”
The blue diamond is replaced by a montage of a nude woman in shadow, lit in violet, with a diamond inset in her navel.
Lyrics: “Diamonds are forever, forever, forever, forever… and ever.”
TITLE: “Produced by HARRY SALTZMAN and ALBERT R. BROCCOLI”
The camera moves away from the nude woman, replaced by a blue blur.
TITLE: “Directed by GUY HAMILTON”
The blue blur resolves into a blue diamond, part of a collection of stones representing famous large-carat diamonds.
At the top of the display is the Akbar Shah, 116 carats rough.
From left to right in the middle row are “Quartz Ange, Oteck Emphl” , “Terrat Teu”, “Star of South Africa, 83.5 Carats Rough, 47.5 Carats Cut”, “Dulation” and “Mitter Tal Zener”
“Star of South Afrrica,” says M. “Eighty-three point five carats rough, Forty seven point five carats cut.” Bond and M are standing in a hallway decorated with Second Empire furnishings.
“The Akbar Shah,” continues M, “That’s a hundred sixteen carats rough.”
IN THIS MINUTE:
Sean Connery as James Bond
Bernard Lee as M
TITLE: “Music composed, conducted, and arranged by JOHN BARRY”
TITLE: “Lyrics by DON BLACK”
Lyrics: “But what good will love do me? Diamonds never lie to me”
TITLE: “Title song sung by SHIRLEY BASSEY”
Lyrics: “For when love’s gone, they luster on”
TITLE: “Associate Producer STANLEY SOPEL”
Two silhouetted women crouch in front of a large blue diamond in the background.
TITLE: “Screenplay by RICHARD MAIBAUM and TOM MANKIEWICZ”
Lyrics: “Diamonds are forever, forever, forever”
TITLE: “Associate Producer STANLEY SOPEL”
The blue diamond is replaced by a montage of a nude woman in shadow, lit in violet, with a diamond inset in her navel.
Lyrics: “Diamonds are forever, forever, forever, forever… and ever.”
TITLE: “Produced by HARRY SALTZMAN and ALBERT R. BROCCOLI”
The camera moves away from the nude woman, replaced by a blue blur.
TITLE: “Directed by GUY HAMILTON”
The blue blur resolves into a blue diamond, part of a collection of stones representing famous large-carat diamonds.
At the top of the display is the Akbar Shah, 116 carats rough.
From left to right in the middle row are “Quartz Ange, Oteck Emphl” , “Terrat Teu”, “Star of South Africa, 83.5 Carats Rough, 47.5 Carats Cut”, “Dulation” and “Mitter Tal Zener”
“Star of South Afrrica,” says M. “Eighty-three point five carats rough, Forty seven point five carats cut.” Bond and M are standing in a hallway decorated with Second Empire furnishings.
“The Akbar Shah,” continues M, “That’s a hundred sixteen carats rough.”
IN THIS MINUTE:
Sean Connery as James Bond
Bernard Lee as M
“Are you paying attention, Double Oh Seven?” asks M.
“The Akbar Shah,” replies Bond. “One hundred sixteen carats rough.” They walk along the hallway. “But surely, sir,” says Bond,”there’s no need to bring in our section on a relatively simple smuggling matter?”
“Sir Donald has convinced the PM otherwise,” replies M. “May I remind you, Double Oh Seven, that Blofeld’s dead – finished! The least we can expect from you now is some plain, solid work.”
Sir Donald’s aide opens the door. “Good morning, gentlemen. Sir Donald will see you now.”
They enter the conference room.
“Good morning, Sir Donald,” says M.
“Good morning,” replies Sir Donald.
“This is Commander Bond,” explains M. Sir Donald shakes hands with Bond.
“Sherry?” offers Sir Donald.
“None for me, thanks. Doctor’s orders,” says M.
“Commander Bond?” asks Sir Donald.
“Yes, thank you,” says Bond.
“You’ve been on holiday, I understand,” says Sir Donald, pouring the sherry. “Relaxing, I hope.”
“Hardly relaxing,” says Bond, “but most satisfying.” Bond is handed the sherry. “Cheers,” he says.
Bond turns to M. “Pity about your liver, sir,” says Bond, “an unusually fine Solera. Fifty-one, I believe.”
“There is no year for sherries,” says M.
IN THIS MINUTE:
Sean Connery as James Bond
Bernard Lee as “M”
Laurence Naismith as Sir Donald
“Are you paying attention, Double Oh Seven?” asks M.
“The Akbar Shah,” replies Bond. “One hundred sixteen carats rough.” They walk along the hallway. “But surely, sir,” says Bond,”there’s no need to bring in our section on a relatively simple smuggling matter?”
“Sir Donald has convinced the PM otherwise,” replies M. “May I remind you, Double Oh Seven, that Blofeld’s dead – finished! The least we can expect from you now is some plain, solid work.”
Sir Donald’s aide opens the door. “Good morning, gentlemen. Sir Donald will see you now.”
They enter the conference room.
“Good morning, Sir Donald,” says M.
“Good morning,” replies Sir Donald.
“This is Commander Bond,” explains M. Sir Donald shakes hands with Bond.
“Sherry?” offers Sir Donald.
“None for me, thanks. Doctor’s orders,” says M.
“Commander Bond?” asks Sir Donald.
“Yes, thank you,” says Bond.
“You’ve been on holiday, I understand,” says Sir Donald, pouring the sherry. “Relaxing, I hope.”
“Hardly relaxing,” says Bond, “but most satisfying.” Bond is handed the sherry. “Cheers,” he says.
Bond turns to M. “Pity about your liver, sir,” says Bond, “an unusually fine Solera. Fifty-one, I believe.”
“There is no year for sherries,” says M.
IN THIS MINUTE:
Sean Connery as James Bond
Bernard Lee as “M”
Laurence Naismith as Sir Donald
“Are you paying attention, Double Oh Seven?” asks M.
“The Akbar Shah,” replies Bond. “One hundred sixteen carats rough.” They walk along the hallway. “But surely, sir,” says Bond,”there’s no need to bring in our section on a relatively simple smuggling matter?”
“Sir Donald has convinced the PM otherwise,” replies M. “May I remind you, Double Oh Seven, that Blofeld’s dead – finished! The least we can expect from you now is some plain, solid work.”
Sir Donald’s aide opens the door. “Good morning, gentlemen. Sir Donald will see you now.”
They enter the conference room.
“Good morning, Sir Donald,” says M.
“Good morning,” replies Sir Donald.
“This is Commander Bond,” explains M. Sir Donald shakes hands with Bond.
“Sherry?” offers Sir Donald.
“None for me, thanks. Doctor’s orders,” says M.
“Commander Bond?” asks Sir Donald.
“Yes, thank you,” says Bond.
“You’ve been on holiday, I understand,” says Sir Donald, pouring the sherry. “Relaxing, I hope.”
“Hardly relaxing,” says Bond, “but most satisfying.” Bond is handed the sherry. “Cheers,” he says.
Bond turns to M. “Pity about your liver, sir,” says Bond, “an unusually fine Solera. Fifty-one, I believe.”
“There is no year for sherries,” says M.
IN THIS MINUTE:
Sean Connery as James Bond
Bernard Lee as “M”
Laurence Naismith as Sir Donald
“I was referring to the original vintage,” replies Bond, “on which the sherry is based, sir. Eighteen fifty-one.” Bond sips and looks at Sir Donald. “Unmistakable,” says Bond.
“Precisely,” says Sir Donald. “Tell me, Commander – – how far does your expertise extend into the field of diamonds?”
“Well,” says Bond, “hardest substance found in nature, they cut glass, suggest marriage, I suppose they’ve replaced a dog as a girl’s best friend, and that’s about it.”
“Refreshing to hear there’s one subject you’re not an expert on,” replies M.
“Yes, well, um, perhaps I’d better give you a brief background into our problem,” says Sir Donald. “Eighty percent of the world’s diamonds come from mines in South Africa.” The scene shows a typical diamond mining facility.
“Most are dug out of diamond-bearing clay at depths of up to three thousand feet,” continues Sir Donald. The scene shows drilling operations in a diamond mine.
“The whole process operates under an airtight security process. It’s an essential precaution, even though the industry prides itself on the loyalty and devotion of its workers,” says Sir Donald. A miner slips diamonds into his shoe.
IN THIS MINUTE:
Sean Connery as James Bond
Bernard Lee as “M”
Laurence Naismith as Sir Donald
“I was referring to the original vintage,” replies Bond, “on which the sherry is based, sir. Eighteen fifty-one.” Bond sips and looks at Sir Donald. “Unmistakable,” says Bond.
“Precisely,” says Sir Donald. “Tell me, Commander – – how far does your expertise extend into the field of diamonds?”
“Well,” says Bond, “hardest substance found in nature, they cut glass, suggest marriage, I suppose they’ve replaced a dog as a girl’s best friend, and that’s about it.”
“Refreshing to hear there’s one subject you’re not an expert on,” replies M.
“Yes, well, um, perhaps I’d better give you a brief background into our problem,” says Sir Donald. “Eighty percent of the world’s diamonds come from mines in South Africa.” The scene shows a typical diamond mining facility.
“Most are dug out of diamond-bearing clay at depths of up to three thousand feet,” continues Sir Donald. The scene shows drilling operations in a diamond mine.
“The whole process operates under an airtight security process. It’s an essential precaution, even though the industry prides itself on the loyalty and devotion of its workers,” says Sir Donald. A miner slips diamonds into his shoe.
IN THIS MINUTE:
Sean Connery as James Bond
Bernard Lee as “M”
Laurence Naismith as Sir Donald
“I was referring to the original vintage,” replies Bond, “on which the sherry is based, sir. Eighteen fifty-one.” Bond sips and looks at Sir Donald. “Unmistakable,” says Bond.
“Precisely,” says Sir Donald. “Tell me, Commander – – how far does your expertise extend into the field of diamonds?”
“Well,” says Bond, “hardest substance found in nature, they cut glass, suggest marriage, I suppose they’ve replaced a dog as a girl’s best friend, and that’s about it.”
“Refreshing to hear there’s one subject you’re not an expert on,” replies M.
“Yes, well, um, perhaps I’d better give you a brief background into our problem,” says Sir Donald. “Eighty percent of the world’s diamonds come from mines in South Africa.” The scene shows a typical diamond mining facility.
“Most are dug out of diamond-bearing clay at depths of up to three thousand feet,” continues Sir Donald. The scene shows drilling operations in a diamond mine.
“The whole process operates under an airtight security process. It’s an essential precaution, even though the industry prides itself on the loyalty and devotion of its workers,” says Sir Donald. A miner slips diamonds into his shoe.
IN THIS MINUTE:
Sean Connery as James Bond
Bernard Lee as “M”
Laurence Naismith as Sir Donald
Sir Donald continues his explanation of diamond mining.
“Naturally,” says Sir Donald, “the security measures tend to insure that loyalty.” A dentist removes a diamond from the mouth of the miner, who is sitting in the dentist chair. “as do the extensive amenities and social services we provide.” The dentist drops the diamond into a metal box. “There’s a permanent staff of doctors, nurses, even dentists. The whole process operates under an airtight security system.” The dentist rolls up money inside a piece of paper and hands it to the miner, who leaves. “It’s a necessary precaution, even though the industry prides itself on the loyalty and devotion of its workers.”
“Next!” calls the dentist. Another miner steps into the examining room, and displays a wide smile of gleaming teeth.
Scene: a scorpion on a rocky field.
“The scorpion,” says Mister Wint.
“Mother Nature’s finest killer, Mister Wint, “says Mister Kidd.
“One is never too old to learn from a master, Mister Kidd,” replies Mister Wint. Wint dons a leather glove. In the distant, a motorcycle heads toward them. Wint reaches down and plucks the scorpion from the ground.
The dentist parks his motorcycle and removes his hat. Wint and Kidd walk toward him.
IN THIS MINUTE:
Laurence Naismith as Sir Donald
Henry Rowland as the Dr. Tynan
Unknown as the Miner
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Sir Donald continues his explanation of diamond mining.
“Naturally,” says Sir Donald, “the security measures tend to insure that loyalty.” A dentist removes a diamond from the mouth of the miner, who is sitting in the dentist chair. “as do the extensive amenities and social services we provide.” The dentist drops the diamond into a metal box. “There’s a permanent staff of doctors, nurses, even dentists. The whole process operates under an airtight security system.” The dentist rolls up money inside a piece of paper and hands it to the miner, who leaves. “It’s a necessary precaution, even though the industry prides itself on the loyalty and devotion of its workers.”
“Next!” calls the dentist. Another miner steps into the examining room, and displays a wide smile of gleaming teeth.
Scene: a scorpion on a rocky field.
“The scorpion,” says Mister Wint.
“Mother Nature’s finest killer, Mister Wint, “says Mister Kidd.
“One is never too old to learn from a master, Mister Kidd,” replies Mister Wint. Wint dons a leather glove. In the distant, a motorcycle heads toward them. Wint reaches down and plucks the scorpion from the ground.
The dentist parks his motorcycle and removes his hat. Wint and Kidd walk toward him.
IN THIS MINUTE:
Laurence Naismith as Sir Donald
Henry Rowland as the Dr. Tynan
Unknown as the Miner
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Sir Donald continues his explanation of diamond mining.
“Naturally,” says Sir Donald, “the security measures tend to insure that loyalty.” A dentist removes a diamond from the mouth of the miner, who is sitting in the dentist chair. “as do the extensive amenities and social services we provide.” The dentist drops the diamond into a metal box. “There’s a permanent staff of doctors, nurses, even dentists. The whole process operates under an airtight security system.” The dentist rolls up money inside a piece of paper and hands it to the miner, who leaves. “It’s a necessary precaution, even though the industry prides itself on the loyalty and devotion of its workers.”
“Next!” calls the dentist. Another miner steps into the examining room, and displays a wide smile of gleaming teeth.
Scene: a scorpion on a rocky field.
“The scorpion,” says Mister Wint.
“Mother Nature’s finest killer, Mister Wint, “says Mister Kidd.
“One is never too old to learn from a master, Mister Kidd,” replies Mister Wint. Wint dons a leather glove. In the distant, a motorcycle heads toward them. Wint reaches down and plucks the scorpion from the ground.
The dentist parks his motorcycle and removes his hat. Wint and Kidd walk toward him.
IN THIS MINUTE:
Laurence Naismith as Sir Donald
Henry Rowland as the Dr. Tynan
Unknown as the Miner
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
“Joe couldn’t make it tonight,” says Mister Wint. “I’m Mister Wint, and this is Mister Kidd.” Mr. Kidd produces a wooden box with a handle.
“Oh, I see,” says Tynan, leaving his gun in its holster. He opens the side of his motorcycle’s tail pipe, revealing a cloth wrapped package. Tynan places the package in Kidd’s box, then turns to walk away.
“Ow!” says Kidd, rubbing his jaw.
“What’s the matter with him?” asks Tynan.
“It’s my wisdom teeth,” replies Kidd, “I haven’t had them out yet.”
“Would you mind having a look, Doctor?” asks Mister Wint.
“Of course,” says Tynan. “I’m not going to hurt you,” says Tynan, tilting Kidd’s head back to get a better look. “Just open,” he says. “No, no – – open wide!”
As Tynan examines Kidd’s teeth, Wint slips the scorpion down the back of Tynan’s shirt. Tynan gives a single cry, then falls dead to the ground.
Kidd and Wint regard Tynan’s sprawled body.
IN THIS MINUTE:
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Henry Rowland as Doctor Tynan
]]>“Joe couldn’t make it tonight,” says Mister Wint. “I’m Mister Wint, and this is Mister Kidd.” Mr. Kidd produces a wooden box with a handle.
“Oh, I see,” says Tynan, leaving his gun in its holster. He opens the side of his motorcycle’s tail pipe, revealing a cloth wrapped package. Tynan places the package in Kidd’s box, then turns to walk away.
“Ow!” says Kidd, rubbing his jaw.
“What’s the matter with him?” asks Tynan.
“It’s my wisdom teeth,” replies Kidd, “I haven’t had them out yet.”
“Would you mind having a look, Doctor?” asks Mister Wint.
“Of course,” says Tynan. “I’m not going to hurt you,” says Tynan, tilting Kidd’s head back to get a better look. “Just open,” he says. “No, no – – open wide!”
As Tynan examines Kidd’s teeth, Wint slips the scorpion down the back of Tynan’s shirt. Tynan gives a single cry, then falls dead to the ground.
Kidd and Wint regard Tynan’s sprawled body.
IN THIS MINUTE:
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Henry Rowland as Doctor Tynan
]]>“Joe couldn’t make it tonight,” says Mister Wint. “I’m Mister Wint, and this is Mister Kidd.” Mr. Kidd produces a wooden box with a handle.
“Oh, I see,” says Tynan, leaving his gun in its holster. He opens the side of his motorcycle’s tail pipe, revealing a cloth wrapped package. Tynan places the package in Kidd’s box, then turns to walk away.
“Ow!” says Kidd, rubbing his jaw.
“What’s the matter with him?” asks Tynan.
“It’s my wisdom teeth,” replies Kidd, “I haven’t had them out yet.”
“Would you mind having a look, Doctor?” asks Mister Wint.
“Of course,” says Tynan. “I’m not going to hurt you,” says Tynan, tilting Kidd’s head back to get a better look. “Just open,” he says. “No, no – – open wide!”
As Tynan examines Kidd’s teeth, Wint slips the scorpion down the back of Tynan’s shirt. Tynan gives a single cry, then falls dead to the ground.
Kidd and Wint regard Tynan’s sprawled body.
IN THIS MINUTE:
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Henry Rowland as Doctor Tynan
]]>Kidd and Wint regard Tynan’s sprawled body.
“Curious,” says Mister Wint, “how everyone who touches those diamonds seems to die.” Mister Kidd nods his head.
A helicopter flies to the site, while Wint and Kidd bury Tynan’s body in a shallow grave.
As the helicopter lands, Wint and Kidd approach. The pilot produces a pistol. “Stop right there! Who are you?” asks the pilot.
“Doctor Tynan sent us,” replied Mister Wint.
“Why didn’t he come himself?” asks the pilot.
“He was taken sick,” explains Mister Kidd.
“Bitten by the bug,” says Mister Wint, “He sent this for you.” Wint hands the pilot a wooden box.
The pilot takes off, and the helicopter flies into the distance. Suddenly, the helicopter explodes in a ball of flame.
“If God had wanted man to fly…” begins Mister Kidd.
“… He would have given him wings, Mister Kidd,” finishes Mister Wint.
Mister Kidd picks up a duplicate box, with the diamonds inside. The two walk off down the desert trail, holding hands.
IN THIS MINUTE:
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Henry Rowland as Doctor Tynan
Ray Baker as the Helicopter Pilot
]]>Kidd and Wint regard Tynan’s sprawled body.
“Curious,” says Mister Wint, “how everyone who touches those diamonds seems to die.” Mister Kidd nods his head.
A helicopter flies to the site, while Wint and Kidd bury Tynan’s body in a shallow grave.
As the helicopter lands, Wint and Kidd approach. The pilot produces a pistol. “Stop right there! Who are you?” asks the pilot.
“Doctor Tynan sent us,” replied Mister Wint.
“Why didn’t he come himself?” asks the pilot.
“He was taken sick,” explains Mister Kidd.
“Bitten by the bug,” says Mister Wint, “He sent this for you.” Wint hands the pilot a wooden box.
The pilot takes off, and the helicopter flies into the distance. Suddenly, the helicopter explodes in a ball of flame.
“If God had wanted man to fly…” begins Mister Kidd.
“… He would have given him wings, Mister Kidd,” finishes Mister Wint.
Mister Kidd picks up a duplicate box, with the diamonds inside. The two walk off down the desert trail, holding hands.
IN THIS MINUTE:
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Henry Rowland as Doctor Tynan
Ray Baker as the Helicopter Pilot
]]>Kidd and Wint regard Tynan’s sprawled body.
“Curious,” says Mister Wint, “how everyone who touches those diamonds seems to die.” Mister Kidd nods his head.
A helicopter flies to the site, while Wint and Kidd bury Tynan’s body in a shallow grave.
As the helicopter lands, Wint and Kidd approach. The pilot produces a pistol. “Stop right there! Who are you?” asks the pilot.
“Doctor Tynan sent us,” replied Mister Wint.
“Why didn’t he come himself?” asks the pilot.
“He was taken sick,” explains Mister Kidd.
“Bitten by the bug,” says Mister Wint, “He sent this for you.” Wint hands the pilot a wooden box.
The pilot takes off, and the helicopter flies into the distance. Suddenly, the helicopter explodes in a ball of flame.
“If God had wanted man to fly…” begins Mister Kidd.
“… He would have given him wings, Mister Kidd,” finishes Mister Wint.
Mister Kidd picks up a duplicate box, with the diamonds inside. The two walk off down the desert trail, holding hands.
IN THIS MINUTE:
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Henry Rowland as Doctor Tynan
Ray Baker as the Helicopter Pilot
]]>“No security system is perfect,” says Sir Donald, “we’ve always expected a certain percentage of smuggling, but over the past two years, despite all our precautions, it’s gone up alarmingly. Even more alarming is that none of the stones so far has reached the market.”
“Sir Donald thinks someone’s stockpiling them,” says M to Bond.
“What concerns us is the possibility of someone either dumping the stones on the market to depress prices, “says Sir Donald, “or -”
“–making you agree to perpetual blackmail,” finishes Bond.
“Exactly,” says Sir Donald. “What we need to know is who the stockpilers are.”
Back in South Africa, Mrs. Whistler is conducting a class. She traces letters in the air with her finger.
“The letter U is for Umbrella,” says Mrs. Whistler. “We take it, lest it rain. We hope we shan’t want it, ’til we’re home again.” Her assistant Jonathan steps into the lesson.
“Uh, two men to see you, Missy,” says Joshua.
“Gentlemen!” says Mrs Whistler, greeting Mr Wint and Mr Kidd. Mister Wint applies a spray cologne. “I shan’t be long children,” Mrs. Whistler says over her shoulder. “Joshua is going to read you a story.”
“How nice to see you again!” says Mrs. Whistler, entering her parlor. “Where to this time?”
“Amsterdam,” says Mister Kidd.
“Amsterdam!” says Mrs. Whistler. “Oh, how lovely!”
IN THIS MINUTE:
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Laurence Naismith as Sir Donald
Sean Connery as James Bond
Bernard Lee as M
Margaret Lacey as Mrs Whistler
]]>“No security system is perfect,” says Sir Donald, “we’ve always expected a certain percentage of smuggling, but over the past two years, despite all our precautions, it’s gone up alarmingly. Even more alarming is that none of the stones so far has reached the market.”
“Sir Donald thinks someone’s stockpiling them,” says M to Bond.
“What concerns us is the possibility of someone either dumping the stones on the market to depress prices, “says Sir Donald, “or -”
“–making you agree to perpetual blackmail,” finishes Bond.
“Exactly,” says Sir Donald. “What we need to know is who the stockpilers are.”
Back in South Africa, Mrs. Whistler is conducting a class. She traces letters in the air with her finger.
“The letter U is for Umbrella,” says Mrs. Whistler. “We take it, lest it rain. We hope we shan’t want it, ’til we’re home again.” Her assistant Jonathan steps into the lesson.
“Uh, two men to see you, Missy,” says Joshua.
“Gentlemen!” says Mrs Whistler, greeting Mr Wint and Mr Kidd. Mister Wint applies a spray cologne. “I shan’t be long children,” Mrs. Whistler says over her shoulder. “Joshua is going to read you a story.”
“How nice to see you again!” says Mrs. Whistler, entering her parlor. “Where to this time?”
“Amsterdam,” says Mister Kidd.
“Amsterdam!” says Mrs. Whistler. “Oh, how lovely!”
IN THIS MINUTE:
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Laurence Naismith as Sir Donald
Sean Connery as James Bond
Bernard Lee as M
Margaret Lacey as Mrs Whistler
]]>“No security system is perfect,” says Sir Donald, “we’ve always expected a certain percentage of smuggling, but over the past two years, despite all our precautions, it’s gone up alarmingly. Even more alarming is that none of the stones so far has reached the market.”
“Sir Donald thinks someone’s stockpiling them,” says M to Bond.
“What concerns us is the possibility of someone either dumping the stones on the market to depress prices, “says Sir Donald, “or -”
“–making you agree to perpetual blackmail,” finishes Bond.
“Exactly,” says Sir Donald. “What we need to know is who the stockpilers are.”
Back in South Africa, Mrs. Whistler is conducting a class. She traces letters in the air with her finger.
“The letter U is for Umbrella,” says Mrs. Whistler. “We take it, lest it rain. We hope we shan’t want it, ’til we’re home again.” Her assistant Jonathan steps into the lesson.
“Uh, two men to see you, Missy,” says Joshua.
“Gentlemen!” says Mrs Whistler, greeting Mr Wint and Mr Kidd. Mister Wint applies a spray cologne. “I shan’t be long children,” Mrs. Whistler says over her shoulder. “Joshua is going to read you a story.”
“How nice to see you again!” says Mrs. Whistler, entering her parlor. “Where to this time?”
“Amsterdam,” says Mister Kidd.
“Amsterdam!” says Mrs. Whistler. “Oh, how lovely!”
IN THIS MINUTE:
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Laurence Naismith as Sir Donald
Sean Connery as James Bond
Bernard Lee as M
Margaret Lacey as Mrs Whistler
]]>“I shall have to bring back some pictures of the canals,” says Mrs. Whistler, “for the children!” She picks up a large Bible, and opens the front of the book, revealing a cut-out center.
“Ask, and ye shall receive, Mrs. Whistler,” says Mister Wint, depositing a bag of diamonds into the hollowed-out core.
“Thus endeth the lesson for today, gentlemen,” says Mrs. Whistler, closing the book cover.
“Several recent murders in South Africa have complicated matters,” says M to Bond, back in Sir Donald’s office. “If they shut down operations before we discover them – ”
“– it would be catastrophic for us,” finishes Sir Donald, “and for the government.”
“Well,” replies Bond, “I’ve always rather fancied a trip to South Africa.”
“You’re going to Holland,” says M. Bond looks at him.
“For some time now,” says M, “we’ve had our eyes on a professional smuggler called Peter Franks. He’s due to leave for Amsterdam.”
“Do we know who his contacts are?” asks Bond.
“We do function in your absence, Commander,” replies M, sternly. M glances at Sir Donald, and then looks up to heaven.
In Dover, Peter Franks pulls up to the gate of the British Customs office in his Triumph Stag.
“Your passport, sir,” says the Customs official. Franks hands over his passport.
“Ah, Mister Franks,” says the other Customs official. “There’s a message for you at Passport Control. That door over there. You can park your car outside.”
“Thank you,” says Peter Franks. He drives to the other building.
IN THIS MINUTE:
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Laurence Naismith as Sir Donald
Sean Connery as James Bond
Bernard Lee as M
Margaret Lacey as Mrs Whistler
Joe Robinson as Peter Franks
Clifford Earl as Customs Official #1
Unknown as Customs Official #2
]]>“I shall have to bring back some pictures of the canals,” says Mrs. Whistler, “for the children!” She picks up a large Bible, and opens the front of the book, revealing a cut-out center.
“Ask, and ye shall receive, Mrs. Whistler,” says Mister Wint, depositing a bag of diamonds into the hollowed-out core.
“Thus endeth the lesson for today, gentlemen,” says Mrs. Whistler, closing the book cover.
“Several recent murders in South Africa have complicated matters,” says M to Bond, back in Sir Donald’s office. “If they shut down operations before we discover them – ”
“– it would be catastrophic for us,” finishes Sir Donald, “and for the government.”
“Well,” replies Bond, “I’ve always rather fancied a trip to South Africa.”
“You’re going to Holland,” says M. Bond looks at him.
“For some time now,” says M, “we’ve had our eyes on a professional smuggler called Peter Franks. He’s due to leave for Amsterdam.”
“Do we know who his contacts are?” asks Bond.
“We do function in your absence, Commander,” replies M, sternly. M glances at Sir Donald, and then looks up to heaven.
In Dover, Peter Franks pulls up to the gate of the British Customs office in his Triumph Stag.
“Your passport, sir,” says the Customs official. Franks hands over his passport.
“Ah, Mister Franks,” says the other Customs official. “There’s a message for you at Passport Control. That door over there. You can park your car outside.”
“Thank you,” says Peter Franks. He drives to the other building.
IN THIS MINUTE:
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Laurence Naismith as Sir Donald
Sean Connery as James Bond
Bernard Lee as M
Margaret Lacey as Mrs Whistler
Joe Robinson as Peter Franks
Clifford Earl as Customs Official #1
Unknown as Customs Official #2
]]>“I shall have to bring back some pictures of the canals,” says Mrs. Whistler, “for the children!” She picks up a large Bible, and opens the front of the book, revealing a cut-out center.
“Ask, and ye shall receive, Mrs. Whistler,” says Mister Wint, depositing a bag of diamonds into the hollowed-out core.
“Thus endeth the lesson for today, gentlemen,” says Mrs. Whistler, closing the book cover.
“Several recent murders in South Africa have complicated matters,” says M to Bond, back in Sir Donald’s office. “If they shut down operations before we discover them – ”
“– it would be catastrophic for us,” finishes Sir Donald, “and for the government.”
“Well,” replies Bond, “I’ve always rather fancied a trip to South Africa.”
“You’re going to Holland,” says M. Bond looks at him.
“For some time now,” says M, “we’ve had our eyes on a professional smuggler called Peter Franks. He’s due to leave for Amsterdam.”
“Do we know who his contacts are?” asks Bond.
“We do function in your absence, Commander,” replies M, sternly. M glances at Sir Donald, and then looks up to heaven.
In Dover, Peter Franks pulls up to the gate of the British Customs office in his Triumph Stag.
“Your passport, sir,” says the Customs official. Franks hands over his passport.
“Ah, Mister Franks,” says the other Customs official. “There’s a message for you at Passport Control. That door over there. You can park your car outside.”
“Thank you,” says Peter Franks. He drives to the other building.
IN THIS MINUTE:
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Laurence Naismith as Sir Donald
Sean Connery as James Bond
Bernard Lee as M
Margaret Lacey as Mrs Whistler
Joe Robinson as Peter Franks
Clifford Earl as Customs Official #1
Unknown as Customs Official #2
]]>After another official leaves from the main entrance, Moneypenny, dressed as a Customs officer, steps out to the parking area. She walks up to the Triumph Stag, where James Bond has already taken a seat behind the wheel.
“Mister Franks,” says Moneypenny, “Your passport is quite in order.”
“Well,” says Bond, eyeing her uniform, “anyone seeing you in that outfit would most certainly be discouraged from leaving the country.” Bond puts his new passport in his jacket pocket. “What can I bring you back from Holland?” he asks Moneypenny.
“A diamond?” suggests Moneypenny, “in a ring?” Bond starts the car.
“Would you settle for a tulip?” he asks, then smiles and drives off.
Moneypenny watches him leave. “Yes!” she says, and smiles.
Bond drives to the dock, taking the Hovercraft lane.
The SeaSpeed hovercraft “The Princess Margaret” is seen bouncing down the dock ramp in Dover.
IN THIS MINUTE:
Sean Connery as James Bond
Joe Robinson as Peter Franks
Lois Maxwell as Moneypenny
]]>After another official leaves from the main entrance, Moneypenny, dressed as a Customs officer, steps out to the parking area. She walks up to the Triumph Stag, where James Bond has already taken a seat behind the wheel.
“Mister Franks,” says Moneypenny, “Your passport is quite in order.”
“Well,” says Bond, eyeing her uniform, “anyone seeing you in that outfit would most certainly be discouraged from leaving the country.” Bond puts his new passport in his jacket pocket. “What can I bring you back from Holland?” he asks Moneypenny.
“A diamond?” suggests Moneypenny, “in a ring?” Bond starts the car.
“Would you settle for a tulip?” he asks, then smiles and drives off.
Moneypenny watches him leave. “Yes!” she says, and smiles.
Bond drives to the dock, taking the Hovercraft lane.
The SeaSpeed hovercraft “The Princess Margaret” is seen bouncing down the dock ramp in Dover.
IN THIS MINUTE:
Sean Connery as James Bond
Joe Robinson as Peter Franks
Lois Maxwell as Moneypenny
]]>After another official leaves from the main entrance, Moneypenny, dressed as a Customs officer, steps out to the parking area. She walks up to the Triumph Stag, where James Bond has already taken a seat behind the wheel.
“Mister Franks,” says Moneypenny, “Your passport is quite in order.”
“Well,” says Bond, eyeing her uniform, “anyone seeing you in that outfit would most certainly be discouraged from leaving the country.” Bond puts his new passport in his jacket pocket. “What can I bring you back from Holland?” he asks Moneypenny.
“A diamond?” suggests Moneypenny, “in a ring?” Bond starts the car.
“Would you settle for a tulip?” he asks, then smiles and drives off.
Moneypenny watches him leave. “Yes!” she says, and smiles.
Bond drives to the dock, taking the Hovercraft lane.
The SeaSpeed hovercraft “The Princess Margaret” is seen bouncing down the dock ramp in Dover.
IN THIS MINUTE:
Sean Connery as James Bond
Joe Robinson as Peter Franks
Lois Maxwell as Moneypenny
]]>Meanwhile, along the River Amster, the tourist ship Prins Willem-Alexander is in the middle of a sightseeing cruise.
“Ahead is one of the oldest bridges in Amsterdam: The Skinny Bridge,” says the tour guide. “It was built over three hundred years ago by two sisters who wanted to visit each other every day. Unfortunately, they ran out of money, so that it why it is called the Skinny Bridge.
After passing under the middle of the Skinny Bridge, the tour guide continues.
“On your right,” says the tour guide, “those beautiful old houses can be see in the paintings of our famous painter, Rembrandt. And now, ladies and gentlemen, if you would look to your left, as we go down the Amster, you can see… Ohh!”
Amsterdam police are fishing a body out of the water. As they flip her onto the boat desk, the body turns out to be that of Mrs. Whistler.
A Nikon F series camera clicks. From a nearby bridge, Mister Kidd takes pictures of the police recovery operation. Next to him is Mister Wint.
“Mrs. Whistler did want some pictures of the canals for the children,” says Mister Kidd.
“How kind of you, Mister Kidd,” says Mister Wint. “The children will be so thrilled.”
IN THIS MINUTE:
Margaret Lacey as Mrs. Whistler
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Meanwhile, along the River Amster, the tourist ship Prins Willem-Alexander is in the middle of a sightseeing cruise.
“Ahead is one of the oldest bridges in Amsterdam: The Skinny Bridge,” says the tour guide. “It was built over three hundred years ago by two sisters who wanted to visit each other every day. Unfortunately, they ran out of money, so that it why it is called the Skinny Bridge.
After passing under the middle of the Skinny Bridge, the tour guide continues.
“On your right,” says the tour guide, “those beautiful old houses can be see in the paintings of our famous painter, Rembrandt. And now, ladies and gentlemen, if you would look to your left, as we go down the Amster, you can see… Ohh!”
Amsterdam police are fishing a body out of the water. As they flip her onto the boat desk, the body turns out to be that of Mrs. Whistler.
A Nikon F series camera clicks. From a nearby bridge, Mister Kidd takes pictures of the police recovery operation. Next to him is Mister Wint.
“Mrs. Whistler did want some pictures of the canals for the children,” says Mister Kidd.
“How kind of you, Mister Kidd,” says Mister Wint. “The children will be so thrilled.”
IN THIS MINUTE:
Margaret Lacey as Mrs. Whistler
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Meanwhile, along the River Amster, the tourist ship Prins Willem-Alexander is in the middle of a sightseeing cruise.
“Ahead is one of the oldest bridges in Amsterdam: The Skinny Bridge,” says the tour guide. “It was built over three hundred years ago by two sisters who wanted to visit each other every day. Unfortunately, they ran out of money, so that it why it is called the Skinny Bridge.
After passing under the middle of the Skinny Bridge, the tour guide continues.
“On your right,” says the tour guide, “those beautiful old houses can be see in the paintings of our famous painter, Rembrandt. And now, ladies and gentlemen, if you would look to your left, as we go down the Amster, you can see… Ohh!”
Amsterdam police are fishing a body out of the water. As they flip her onto the boat desk, the body turns out to be that of Mrs. Whistler.
A Nikon F series camera clicks. From a nearby bridge, Mister Kidd takes pictures of the police recovery operation. Next to him is Mister Wint.
“Mrs. Whistler did want some pictures of the canals for the children,” says Mister Kidd.
“How kind of you, Mister Kidd,” says Mister Wint. “The children will be so thrilled.”
IN THIS MINUTE:
Margaret Lacey as Mrs. Whistler
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
He presses the doorbell to Apartment 4, home to a “T.Case.”
“Yes?” says a female voice on the entrance intercom.
“Franks. Peter Franks,” replies Bond.
“Come up,” says the voice. “Third floor.” The door lock buzzes, and Bond steps inside.
On the third floor, Bond exits the elevator, and walks toward the open front door of Apartment Four. He steps inside an apartment decorated with Dutch Masters prints.
“Make yourself at home,” says a blonde woman wearing panties and bra, her back to Bond, just exiting into the bedroom. “I’ll be right out.”
Bond scans the room.
“Help yourself to a drink!” calls the woman from the bedroom.
“Is uh-” begins Bond.
IN THIS MINUTE:
Jill St. John as T. Case
Sean Connery as James Bond
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
He presses the doorbell to Apartment 4, home to a “T.Case.”
“Yes?” says a female voice on the entrance intercom.
“Franks. Peter Franks,” replies Bond.
“Come up,” says the voice. “Third floor.” The door lock buzzes, and Bond steps inside.
On the third floor, Bond exits the elevator, and walks toward the open front door of Apartment Four. He steps inside an apartment decorated with Dutch Masters prints.
“Make yourself at home,” says a blonde woman wearing panties and bra, her back to Bond, just exiting into the bedroom. “I’ll be right out.”
Bond scans the room.
“Help yourself to a drink!” calls the woman from the bedroom.
“Is uh-” begins Bond.
IN THIS MINUTE:
Jill St. John as T. Case
Sean Connery as James Bond
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
He presses the doorbell to Apartment 4, home to a “T.Case.”
“Yes?” says a female voice on the entrance intercom.
“Franks. Peter Franks,” replies Bond.
“Come up,” says the voice. “Third floor.” The door lock buzzes, and Bond steps inside.
On the third floor, Bond exits the elevator, and walks toward the open front door of Apartment Four. He steps inside an apartment decorated with Dutch Masters prints.
“Make yourself at home,” says a blonde woman wearing panties and bra, her back to Bond, just exiting into the bedroom. “I’ll be right out.”
Bond scans the room.
“Help yourself to a drink!” calls the woman from the bedroom.
“Is uh-” begins Bond.
IN THIS MINUTE:
Jill St. John as T. Case
Sean Connery as James Bond
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
“Is Mister Case not at home?” he asks.
“There is no Mr. Case,” replies Miss Case from the other room, “The T is for Tiffany.”
Bond pauses while pouring his Scotch. “Tiffany Case?” he asks. “Definitely distinctive.”
“I was born there,” says Tiffany, “on the first floor, while my mother was looking for a wedding ring.”
“Well, I’m glad for your case,” replies Bond, “that it wasn’t Van Cleef and Arpels.”
Tiffany returns to the sitting room, wearing just bra and panties, and a brunette wig. Bond pauses again, looking at her.
“Weren’t you a blonde when I came in?” he asks.
“Could be,” replies Tiffany, smiling slightly. She walks toward Bond.
“I tend to notice little things like that,” says Bond, “whether a girl is a blonde or a brunette.”
“And which do you prefer?” asks Tiffany.
“Well, providing the collar and cuffs match…” replies Bond.
“We’ll talk about that later,” says Tiffany, grabbing the glass out of his hand, “Let me have your glass – I’ll get you some ice.”
Tiffany walks back to her bedroom. Bond watches her leave.
Once back in her bedroom, Tiffany closes the door and pulls out a spray bottle. She quickly covers the glass with a white powder, and brushes away the excess, revealing Bond’s recent fingerprints on the glass. IN THIS MINUTE:
Jill St. John as T. Case
Sean Connery as James Bond
“Is Mister Case not at home?” he asks.
“There is no Mr. Case,” replies Miss Case from the other room, “The T is for Tiffany.”
Bond pauses while pouring his Scotch. “Tiffany Case?” he asks. “Definitely distinctive.”
“I was born there,” says Tiffany, “on the first floor, while my mother was looking for a wedding ring.”
“Well, I’m glad for your case,” replies Bond, “that it wasn’t Van Cleef and Arpels.”
Tiffany returns to the sitting room, wearing just bra and panties, and a brunette wig. Bond pauses again, looking at her.
“Weren’t you a blonde when I came in?” he asks.
“Could be,” replies Tiffany, smiling slightly. She walks toward Bond.
“I tend to notice little things like that,” says Bond, “whether a girl is a blonde or a brunette.”
“And which do you prefer?” asks Tiffany.
“Well, providing the collar and cuffs match…” replies Bond.
“We’ll talk about that later,” says Tiffany, grabbing the glass out of his hand, “Let me have your glass – I’ll get you some ice.”
Tiffany walks back to her bedroom. Bond watches her leave.
Once back in her bedroom, Tiffany closes the door and pulls out a spray bottle. She quickly covers the glass with a white powder, and brushes away the excess, revealing Bond’s recent fingerprints on the glass. IN THIS MINUTE:
Jill St. John as T. Case
Sean Connery as James Bond
“Is Mister Case not at home?” he asks.
“There is no Mr. Case,” replies Miss Case from the other room, “The T is for Tiffany.”
Bond pauses while pouring his Scotch. “Tiffany Case?” he asks. “Definitely distinctive.”
“I was born there,” says Tiffany, “on the first floor, while my mother was looking for a wedding ring.”
“Well, I’m glad for your case,” replies Bond, “that it wasn’t Van Cleef and Arpels.”
Tiffany returns to the sitting room, wearing just bra and panties, and a brunette wig. Bond pauses again, looking at her.
“Weren’t you a blonde when I came in?” he asks.
“Could be,” replies Tiffany, smiling slightly. She walks toward Bond.
“I tend to notice little things like that,” says Bond, “whether a girl is a blonde or a brunette.”
“And which do you prefer?” asks Tiffany.
“Well, providing the collar and cuffs match…” replies Bond.
“We’ll talk about that later,” says Tiffany, grabbing the glass out of his hand, “Let me have your glass – I’ll get you some ice.”
Tiffany walks back to her bedroom. Bond watches her leave.
Once back in her bedroom, Tiffany closes the door and pulls out a spray bottle. She quickly covers the glass with a white powder, and brushes away the excess, revealing Bond’s recent fingerprints on the glass. IN THIS MINUTE:
Jill St. John as T. Case
Sean Connery as James Bond
Meanwhile, Bond examines the contents of Tiffany Case’s dining room hutch. Case returns, wearing a sheer robe over her bra and panties.
“That’s a nice little nothing you’re wearing,” remarks Bond, as Tiffany hands him his Scotch. “I approve.”
“I don’t dress for the hired help,” replies Tiffany. “Let’s see your passport, Franks.”
Bond reaches into his jacket and retrieves his passport, made out as “Peter Franks.”
“Occupation: transport consultant?” smirks Tiffany as she reads his passport. “That’s a little cute, isn’t it?” She hands the passport back to Bond. “I’ll finish dressing,” she says.
“Oh, please don’t,” replies Bond, “Not on my account.”
Tiffany walks back to her dressing room, and peels the Polaroid print off the developer.
She opens her armoire, revealing an electronic viewscreen. Turning the machine on, an enlarged image of Peter Franks’s fingerprint appears on the screen. She inserts the Polaroid print into the machine, and Bond’s print appears on the right of the screen. Tiffany compares the two prints, nodding as she decides they’re identical.
IN THIS MINUTE:
Jill St. John as Tiffany Case
Sean Connery as James Bond
Meanwhile, Bond examines the contents of Tiffany Case’s dining room hutch. Case returns, wearing a sheer robe over her bra and panties.
“That’s a nice little nothing you’re wearing,” remarks Bond, as Tiffany hands him his Scotch. “I approve.”
“I don’t dress for the hired help,” replies Tiffany. “Let’s see your passport, Franks.”
Bond reaches into his jacket and retrieves his passport, made out as “Peter Franks.”
“Occupation: transport consultant?” smirks Tiffany as she reads his passport. “That’s a little cute, isn’t it?” She hands the passport back to Bond. “I’ll finish dressing,” she says.
“Oh, please don’t,” replies Bond, “Not on my account.”
Tiffany walks back to her dressing room, and peels the Polaroid print off the developer.
She opens her armoire, revealing an electronic viewscreen. Turning the machine on, an enlarged image of Peter Franks’s fingerprint appears on the screen. She inserts the Polaroid print into the machine, and Bond’s print appears on the right of the screen. Tiffany compares the two prints, nodding as she decides they’re identical.
IN THIS MINUTE:
Jill St. John as Tiffany Case
Sean Connery as James Bond
Meanwhile, Bond examines the contents of Tiffany Case’s dining room hutch. Case returns, wearing a sheer robe over her bra and panties.
“That’s a nice little nothing you’re wearing,” remarks Bond, as Tiffany hands him his Scotch. “I approve.”
“I don’t dress for the hired help,” replies Tiffany. “Let’s see your passport, Franks.”
Bond reaches into his jacket and retrieves his passport, made out as “Peter Franks.”
“Occupation: transport consultant?” smirks Tiffany as she reads his passport. “That’s a little cute, isn’t it?” She hands the passport back to Bond. “I’ll finish dressing,” she says.
“Oh, please don’t,” replies Bond, “Not on my account.”
Tiffany walks back to her dressing room, and peels the Polaroid print off the developer.
She opens her armoire, revealing an electronic viewscreen. Turning the machine on, an enlarged image of Peter Franks’s fingerprint appears on the screen. She inserts the Polaroid print into the machine, and Bond’s print appears on the right of the screen. Tiffany compares the two prints, nodding as she decides they’re identical.
IN THIS MINUTE:
Jill St. John as Tiffany Case
Sean Connery as James Bond
Bond drinks his Scotch in the living room, then sniffs the fingerprint powder on the glass, and smiles.
Tffany returns to the living room, this time a redhead, in a deeply plunging v-neck dress.
“Ah, I don’t care much for redheads,” says Bond. “Terrible tempers. But somehow, it seems to suit you.”
Tiffany shrugs. “It’s my own,” she says.
“Ah,” repeats Bond. “But it is in need of some soft lighting, and I know a restaurant real close…”
“I never mix business with pleasure,” replies Tiffany, uncorking a bottle of sweet vermouth.
“Well, neither do I,” says Bond.
“Good,” says Tiffany. “And we can start with saving the cute remarks until you get the diamonds into Los Angeles.” She pours herself a tall glass of vermouth.
“Well, where are they now?” asks Bond.
“That’s not your problem,” replies Tiffany, recorking the vermouth. “Your problem is getting them in.”
“How much is there?” asks Bond.
“Fifty thousand carats,” says Tiffany.
“Well, at a hundred and forty two carats an ounce, that’s an awful lot of ice!” says Bond. “That won’t be easy!”
Tiffany sits down on a couch. “That’s why you’re being paid fifty grand! What did you think it was going to be, a pair of earrings? And Franks, for God’s sake –”
IN THIS MINUTE:
Jill St. John as T. Case
Sean Connery as James Bond
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Bond drinks his Scotch in the living room, then sniffs the fingerprint powder on the glass, and smiles.
Tffany returns to the living room, this time a redhead, in a deeply plunging v-neck dress.
“Ah, I don’t care much for redheads,” says Bond. “Terrible tempers. But somehow, it seems to suit you.”
Tiffany shrugs. “It’s my own,” she says.
“Ah,” repeats Bond. “But it is in need of some soft lighting, and I know a restaurant real close…”
“I never mix business with pleasure,” replies Tiffany, uncorking a bottle of sweet vermouth.
“Well, neither do I,” says Bond.
“Good,” says Tiffany. “And we can start with saving the cute remarks until you get the diamonds into Los Angeles.” She pours herself a tall glass of vermouth.
“Well, where are they now?” asks Bond.
“That’s not your problem,” replies Tiffany, recorking the vermouth. “Your problem is getting them in.”
“How much is there?” asks Bond.
“Fifty thousand carats,” says Tiffany.
“Well, at a hundred and forty two carats an ounce, that’s an awful lot of ice!” says Bond. “That won’t be easy!”
Tiffany sits down on a couch. “That’s why you’re being paid fifty grand! What did you think it was going to be, a pair of earrings? And Franks, for God’s sake –”
IN THIS MINUTE:
Jill St. John as T. Case
Sean Connery as James Bond
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Bond drinks his Scotch in the living room, then sniffs the fingerprint powder on the glass, and smiles.
Tffany returns to the living room, this time a redhead, in a deeply plunging v-neck dress.
“Ah, I don’t care much for redheads,” says Bond. “Terrible tempers. But somehow, it seems to suit you.”
Tiffany shrugs. “It’s my own,” she says.
“Ah,” repeats Bond. “But it is in need of some soft lighting, and I know a restaurant real close…”
“I never mix business with pleasure,” replies Tiffany, uncorking a bottle of sweet vermouth.
“Well, neither do I,” says Bond.
“Good,” says Tiffany. “And we can start with saving the cute remarks until you get the diamonds into Los Angeles.” She pours herself a tall glass of vermouth.
“Well, where are they now?” asks Bond.
“That’s not your problem,” replies Tiffany, recorking the vermouth. “Your problem is getting them in.”
“How much is there?” asks Bond.
“Fifty thousand carats,” says Tiffany.
“Well, at a hundred and forty two carats an ounce, that’s an awful lot of ice!” says Bond. “That won’t be easy!”
Tiffany sits down on a couch. “That’s why you’re being paid fifty grand! What did you think it was going to be, a pair of earrings? And Franks, for God’s sake –”
IN THIS MINUTE:
Jill St. John as T. Case
Sean Connery as James Bond
Bruce Glover as Mister Wint
Putter Smith as Mister Kidd
Click here to visit the From Sweden With Love Website.
Tiffany Case is advising James Bond as “Peter Franks.”
“Come up with something original,” she says.
Later, Bond is peeling a translucent film off his thumb with tweezers, while on the phone to Q.
“I’ve got to hand it to you, Q,” says Bond, “quite ingenious.”
“Oh, an obvious little notion,” says Q from his workshop. In the background, technicians are loading what appear to be missiles into the engine compartment of the famous Aston-Martin. “Thought it might come in handy,” Q continues. “Oh, by the way – – M’s been trying to get in touch with you. That Peter Franks fellow’s escaped. Killed one of the guards on the way up to London.” Bond looks alarmed.
“Hello?” says Q.
Bond has disappeared from his hotel room.
“Hello?” repeats Q. “Are you there?” He hangs up in disgust.
Back at Tiffany’s townhouse, the escaped, real Peter Franks exits a taxi. He pays the driver and makes his way up the stairs to the entrance. Against a nearby wall is a couple kissing in the shadows. The “couple” turns out to be Bond by himself, using his arms to pretend he’s embracing someone.
“Yes?” says Tiffany over the intercom.
“Peter Franks,” says the real Peter Franks.
“Third floor,” says Tiffany.
Bond quickly races up the steps. “Goeden Haben,” says Bond to Franks, pulling out a key. The door buzzes.
“Good evening,” replies Franks, as Bond opens the door.
“Bitte?” says Bond.
IN THIS MINUTE:
Jill St. John as Tiffany. Case
Sean Connery as James Bond
Desmond Llewellyn as Q
Joe Robinson as Peter Franks
Click here to visit the From Sweden With Love Website.
Tiffany Case is advising James Bond as “Peter Franks.”
“Come up with something original,” she says.
Later, Bond is peeling a translucent film off his thumb with tweezers, while on the phone to Q.
“I’ve got to hand it to you, Q,” says Bond, “quite ingenious.”
“Oh, an obvious little notion,” says Q from his workshop. In the background, technicians are loading what appear to be missiles into the engine compartment of the famous Aston-Martin. “Thought it might come in handy,” Q continues. “Oh, by the way – – M’s been trying to get in touch with you. That Peter Franks fellow’s escaped. Killed one of the guards on the way up to London.” Bond looks alarmed.
“Hello?” says Q.
Bond has disappeared from his hotel room.
“Hello?” repeats Q. “Are you there?” He hangs up in disgust.
Back at Tiffany’s townhouse, the escaped, real Peter Franks exits a taxi. He pays the driver and makes his way up the stairs to the entrance. Against a nearby wall is a couple kissing in the shadows. The “couple” turns out to be Bond by himself, using his arms to pretend he’s embracing someone.
“Yes?” says Tiffany over the intercom.
“Peter Franks,” says the real Peter Franks.
“Third floor,” says Tiffany.
Bond quickly races up the steps. “Goeden Haben,” says Bond to Franks, pulling out a key. The door buzzes.
“Good evening,” replies Franks, as Bond opens the door.
“Bitte?” says Bond.
IN THIS MINUTE:
Jill St. John as Tiffany. Case
Sean Connery as James Bond
Desmond Llewellyn as Q
Joe Robinson as Peter Franks
Click here to visit the From Sweden With Love Website.
Tiffany Case is advising James Bond as “Peter Franks.”
“Come up with something original,” she says.
Later, Bond is peeling a translucent film off his thumb with tweezers, while on the phone to Q.
“I’ve got to hand it to you, Q,” says Bond, “quite ingenious.”
“Oh, an obvious little notion,” says Q from his workshop. In the background, technicians are loading what appear to be missiles into the engine compartment of the famous Aston-Martin. “Thought it might come in handy,” Q continues. “Oh, by the way – – M’s been trying to get in touch with you. That Peter Franks fellow’s escaped. Killed one of the guards on the way up to London.” Bond looks alarmed.
“Hello?” says Q.
Bond has disappeared from his hotel room.
“Hello?” repeats Q. “Are you there?” He hangs up in disgust.
Back at Tiffany’s townhouse, the escaped, real Peter Franks exits a taxi. He pays the driver and makes his way up the stairs to the entrance. Against a nearby wall is a couple kissing in the shadows. The “couple” turns out to be Bond by himself, using his arms to pretend he’s embracing someone.
“Yes?” says Tiffany over the intercom.
“Peter Franks,” says the real Peter Franks.
“Third floor,” says Tiffany.
Bond quickly races up the steps. “Goeden Haben,” says Bond to Franks, pulling out a key. The door buzzes.
“Good evening,” replies Franks, as Bond opens the door.
“Bitte?” says Bond.
IN THIS MINUTE:
Jill St. John as Tiffany. Case
Sean Connery as James Bond
Desmond Llewellyn as Q
Joe Robinson as Peter Franks
Click here to visit the From Sweden With Love Website.
Bond follows Peter Franks into the townhouse.
“You are English?” asks Bond, with a Dutch accent.
“Yes, I’m English,” replies Franks.
“I speak English!” says Bond, enthusiastically. Bond closes the gate of the tiny elevator, and shuts the wooden swinging door. “Who is your floor?” Bond asks Franks.
“Three, please,” replies Franks. Bond presses the elevator button for three, then prepares to attack Franks from behind. Franks glances behind him at Bond, and Bond smiles and looks at his watch. As Franks turns back again to face forward, Bond prepares to give Franks a blow to the head, but unfortunately breaks an elevator window with his elbow in the confined space. This alerts Franks to the oncoming attack, allowing Franks to block the first blow. Bond manages to land a right hook to Franks’s face, but can’t back up enough to block Franks’s counterpunches. Franks grabs Bond from behind, breaking more glass. Bond breaks out of Franks’s grip, and manages to land another blow to the face. Franks shoves Bond to the back of the elevator, breaking the back glass. Bond pushes Franks toward the floor of the elevator, and applies a karate chop to Franks’s back. Bond then shoves Franks into the right wall of the elevator, breaking another pane of glass.
Bond steadies Franks, and then hammers Franks in the face with another blow. Franks leans back, and grabs Bond by the lapels. He then crosses his wrists across Bond’s neck, attempting to choke Bond. Bond responds by giving Franks two simultaneous chops to the kidneys. He shoves Franks against the STOP button, pausing the elevator ride.
Franks pulls out a pistol and attempts to shoot Bond. Bond grabs his arm, bumping into the STOP button and restarting the elevator. Bond struggles to wrest the gun out of Franks’s hand. Franks falls against the control panel, again stopping the ascent.
IN THIS MINUTE:
Sean Connery as James Bond
Joe Robinson as Peter Franks
Click here to visit the From Sweden With Love Website.
Bond follows Peter Franks into the townhouse.
“You are English?” asks Bond, with a Dutch accent.
“Yes, I’m English,” replies Franks.
“I speak English!” says Bond, enthusiastically. Bond closes the gate of the tiny elevator, and shuts the wooden swinging door. “Who is your floor?” Bond asks Franks.
“Three, please,” replies Franks. Bond presses the elevator button for three, then prepares to attack Franks from behind. Franks glances behind him at Bond, and Bond smiles and looks at his watch. As Franks turns back again to face forward, Bond prepares to give Franks a blow to the head, but unfortunately breaks an elevator window with his elbow in the confined space. This alerts Franks to the oncoming attack, allowing Franks to block the first blow. Bond manages to land a right hook to Franks’s face, but can’t back up enough to block Franks’s counterpunches. Franks grabs Bond from behind, breaking more glass. Bond breaks out of Franks’s grip, and manages to land another blow to the face. Franks shoves Bond to the back of the elevator, breaking the back glass. Bond pushes Franks toward the floor of the elevator, and applies a karate chop to Franks’s back. Bond then shoves Franks into the right wall of the elevator, breaking another pane of glass.
Bond steadies Franks, and then hammers Franks in the face with another blow. Franks leans back, and grabs Bond by the lapels. He then crosses his wrists across Bond’s neck, attempting to choke Bond. Bond responds by giving Franks two simultaneous chops to the kidneys. He shoves Franks against the STOP button, pausing the elevator ride.
Franks pulls out a pistol and attempts to shoot Bond. Bond grabs his arm, bumping into the STOP button and restarting the elevator. Bond struggles to wrest the gun out of Franks’s hand. Franks falls against the control panel, again stopping the ascent.
IN THIS MINUTE:
Sean Connery as James Bond
Joe Robinson as Peter Franks
Click here to visit the From Sweden With Love Website.
Bond follows Peter Franks into the townhouse.
“You are English?” asks Bond, with a Dutch accent.
“Yes, I’m English,” replies Franks.
“I speak English!” says Bond, enthusiastically. Bond closes the gate of the tiny elevator, and shuts the wooden swinging door. “Who is your floor?” Bond asks Franks.
“Three, please,” replies Franks. Bond presses the elevator button for three, then prepares to attack Franks from behind. Franks glances behind him at Bond, and Bond smiles and looks at his watch. As Franks turns back again to face forward, Bond prepares to give Franks a blow to the head, but unfortunately breaks an elevator window with his elbow in the confined space. This alerts Franks to the oncoming attack, allowing Franks to block the first blow. Bond manages to land a right hook to Franks’s face, but can’t back up enough to block Franks’s counterpunches. Franks grabs Bond from behind, breaking more glass. Bond breaks out of Franks’s grip, and manages to land another blow to the face. Franks shoves Bond to the back of the elevator, breaking the back glass. Bond pushes Franks toward the floor of the elevator, and applies a karate chop to Franks’s back. Bond then shoves Franks into the right wall of the elevator, breaking another pane of glass.
Bond steadies Franks, and then hammers Franks in the face with another blow. Franks leans back, and grabs Bond by the lapels. He then crosses his wrists across Bond’s neck, attempting to choke Bond. Bond responds by giving Franks two simultaneous chops to the kidneys. He shoves Franks against the STOP button, pausing the elevator ride.
Franks pulls out a pistol and attempts to shoot Bond. Bond grabs his arm, bumping into the STOP button and restarting the elevator. Bond struggles to wrest the gun out of Franks’s hand. Franks falls against the control panel, again stopping the ascent.
IN THIS MINUTE:
Sean Connery as James Bond
Joe Robinson as Peter Franks
Bond and Peter Franks are fighting in the townhouse elevator.
Franks has a pistol, and Bond is trying to wrest the pistol away from Franks. Bond karate chops Franks’s hand several times, and Franks fires the gun at the floor. He finally drops the gun.
Bond continues to struggle with Franks. Franks gets the upper hand and leans Bond out the side of the elevator, face up. Bond sees that he’s headed for a certain decapitation by way of a cement crossbeam in the elevator shaft.
Bond looks over at the red STOP button on the control panel. He winces, and then hits the STOP button with his shoe, canceling the decapitation. Surprised, Franks hesitates for a moment, giving Bond time to kick Franks and escape his grasp.
Bond starts delivering several body blows to Franks, in the process knocking into the control panel and restarting the elevator. Bond punches Franks to the floor, giving Franks the sudden opportunity to pick up a piece of sharp, jagged window glass from the broken elevator panes.
Tiffany steps out of her apartment to see the commotion in the elevator. She looks concerned as the elevator continues past the third floor.
Bond struggles with the glass-wielding Franks. He grabs Franks’s arm that has the dagger-like piece and shoves the arm out of the elevator gate. Bond rams the gate shut, knocking the glass shard out of Franks’s grip. He pounds twice on Franks’s forearm at the elbow.
IN THIS MINUTE:
Sean Connery as James Bond
Joe Robinson as Peter Franks
Bond and Peter Franks are fighting in the townhouse elevator.
Franks has a pistol, and Bond is trying to wrest the pistol away from Franks. Bond karate chops Franks’s hand several times, and Franks fires the gun at the floor. He finally drops the gun.
Bond continues to struggle with Franks. Franks gets the upper hand and leans Bond out the side of the elevator, face up. Bond sees that he’s headed for a certain decapitation by way of a cement crossbeam in the elevator shaft.
Bond looks over at the red STOP button on the control panel. He winces, and then hits the STOP button with his shoe, canceling the decapitation. Surprised, Franks hesitates for a moment, giving Bond time to kick Franks and escape his grasp.
Bond starts delivering several body blows to Franks, in the process knocking into the control panel and restarting the elevator. Bond punches Franks to the floor, giving Franks the sudden opportunity to pick up a piece of sharp, jagged window glass from the broken elevator panes.
Tiffany steps out of her apartment to see the commotion in the elevator. She looks concerned as the elevator continues past the third floor.
Bond struggles with the glass-wielding Franks. He grabs Franks’s arm that has the dagger-like piece and shoves the arm out of the elevator gate. Bond rams the gate shut, knocking the glass shard out of Franks’s grip. He pounds twice on Franks’s forearm at the elbow.
IN THIS MINUTE:
Sean Connery as James Bond
Joe Robinson as Peter Franks
Bond and Peter Franks are fighting in the townhouse elevator.
Franks has a pistol, and Bond is trying to wrest the pistol away from Franks. Bond karate chops Franks’s hand several times, and Franks fires the gun at the floor. He finally drops the gun.
Bond continues to struggle with Franks. Franks gets the upper hand and leans Bond out the side of the elevator, face up. Bond sees that he’s headed for a certain decapitation by way of a cement crossbeam in the elevator shaft.
Bond looks over at the red STOP button on the control panel. He winces, and then hits the STOP button with his shoe, canceling the decapitation. Surprised, Franks hesitates for a moment, giving Bond time to kick Franks and escape his grasp.
Bond starts delivering several body blows to Franks, in the process knocking into the control panel and restarting the elevator. Bond punches Franks to the floor, giving Franks the sudden opportunity to pick up a piece of sharp, jagged window glass from the broken elevator panes.
Tiffany steps out of her apartment to see the commotion in the elevator. She looks concerned as the elevator continues past the third floor.
Bond struggles with the glass-wielding Franks. He grabs Franks’s arm that has the dagger-like piece and shoves the arm out of the elevator gate. Bond rams the gate shut, knocking the glass shard out of Franks’s grip. He pounds twice on Franks’s forearm at the elbow.
IN THIS MINUTE:
Sean Connery as James Bond
Joe Robinson as Peter Franks